Showing posts with label psychology. Show all posts
Showing posts with label psychology. Show all posts

Friday, September 9, 2011

The Psychology of Music, Second Edition (Academic Press Series in Cognition and Perception)

The Psychology of Music, Second Edition (Academic Press Series in Cognition and Perception) Review


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The Psychology of Music, Second Edition (Academic Press Series in Cognition and Perception) Feature

The aim of the psychology of music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the First Edition was written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues.
The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables.


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Monday, September 5, 2011

Music in the Human Experience: An Introduction to Music Psychology

Music in the Human Experience: An Introduction to Music Psychology Review


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Music in the Human Experience: An Introduction to Music Psychology Feature

All human societies in every corner of the globe engage in music. For many, it occupies a primary role. Taken collectively, these musical experiences are widely varied, hugely complex affairs. How did human beings come to be musical creatures? How and why do our bodies respond to music? Why do people have emotional responses to music? This textbook seeks to understand and explain these phenomena that are at the core of what it means to be a human being.

Music in the Human Experience: An Introduction to Music Psychology is a textbook for college courses in music psychology, primarily geared to students of music.  It incorporates several other disciplines to provide an explanation for why and how we make sense of music and respond to it, cognitively, physically, and emotionally.

Features

  • Comprehensive Coverage--Includes philosophical issues, biomusic, anthropology, ethnomusicology, acoustics, hearing, music perception and cognition, psychophysiological responses to music, emotional responses, music and the brain, personality, identity, music performance, learning theories, music and health, and social aspects of music.
  • Media Tutorials—A series of 32 narrated media presentations incorporating photographs, drawings, animations, recordings of singers, instrumentalists, and ensembles, and several interactive media files that illustrate key concepts of the text.
  • Pedagogical Aids—Discussion questions at the end of each chapter provide teachers and students with an opportunity to reflect on key concepts presented in the text and to consider ideas, such as how information applies to their musical lives and careers. In addition, there is an extensive glossary and Companion Website with brief quizzes, flash cards of key terms, and supplemental reading lists.


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